For the centenary, the two exhibitions, A Stranger’s Window and Now for Tomorrow bring together many of the artworks that the Contemporary Art Society has given to Nottingham Castle and looks at some of the stories behind these acquisitions
Nottingham Castle, with the Contemporary Art Society have invited the artist-led gallery MOOT to investigate the museum’s vast and diverse collection. For A Stranger's Window MOOT will be working with a number of different spaces within Nottingham Castle Museum & Art Gallery to give visitors a taste of the discoveries they have made as they have researched the collection.
MOOT discovered an interesting aspect of the works on paper collection is that in general it is organised by accession number – in other words, the number given to a work when it enters the collection; this includes the year of entry. Therefore a museum storage box will contain, say, everything collected between 1970 and 1976 rather than keeping an artist’s works all together regardless of when they were acquired. This means that a box might include anything from eighteenth century portrait sketches to modern screenprints by Patrick Caulfield.
Responding to this method of cataloging and storing over 4000 works, covering a vast time period, range of subjects and artists, MOOT have selected 13 works that they feel reflect the scope and diversity of the collection. This includes the popular watercolour of Nottingham by JMW Turner, as well as less well-known drawings and prints, some of which may never have been displayed in the gallery before. MOOT then invited 15 artists and collaborators such as Josephine Flynn, Ruth Proctor, S Mark Gubb and Simon and Tom Bloor to devise new and inventive methods for displaying them. They also instigated conservation and mounting of the selected works.
MOOT in conversation at Nottingham Castle Museum and Art Gallery: Wednesday 9 June at 6.30pm
For further information on MOOT go to:
http://mootgallery.org/
For further information on the Contemporary Art Society's Centenary Programme email nationalprogrammes@contemporaryartsociety.org
Now For Tomorrow 2010
Not For Tomorrow 2010
Now For Tomorrow 2010
100 Years of Collecting, curated by MOOT
MOOT investigates Nottingham Castle Museum & Art Gallery’s vast and diverse collection for Now for Tomorrow — 100 Years of Collecting 2010
MOOT investigates Nottingham Castle Museum & Art Gallery's vast and diverse collection for Now for Tomorrow, a part of the Contemporary Art Society Centenary Programme 2010
Simon Raven Self-Portrait as a Drawing with Henry Purcell 2010
Ruth Proctor The Narcissus Diamond 2010
Simon and Tom Bloor Structure IV 2010
Hannah James Nottingham Castle Museum & Art Gallery 2009
Now For Tomorrow 2010 ©Nottingham City Museums and Galleries photo: John Hartley
Not For Tomorrow 2010 ©Nottingham City Museums and Galleries photo: John Hartley
Now For Tomorrow 2010 ©Nottingham City Museums and Galleries photo: John Hartley
100 Years of Collecting, curated by MOOT Nottingham Castle Museum and Art Gallery, part of the Contemporary Art Society's Centenary Programme, installation view, courtesy: MOOT and Nottingham Castle Museum & Art Gallery photo: John Hartley
MOOT investigates Nottingham Castle Museum & Art Gallery’s vast and diverse collection for Now for Tomorrow — 100 Years of Collecting 2010 ©MOOT courtesy: MOOT and Nottingham Castle Museum & Art Gallery photo: MOOT
MOOT investigates Nottingham Castle Museum & Art Gallery's vast and diverse collection for Now for Tomorrow, a part of the Contemporary Art Society Centenary Programme 2010 ©MOOT courtesy: MOOT and Nottingham Castle Museum & Art Gallery photo: MOOT
Simon Raven Self-Portrait as a Drawing with Henry Purcell 2010 Collection Nottingham Castle, performance with video work, Variable, ©the artist courtesy: the artist photo: John Hartley
Ruth Proctor The Narcissus Diamond 2010 Collection Nottingham Castle, Mixed media structure containing a drawing by J Knodell, ©the artist courtesy: the artist photo: John Hartley
Simon and Tom Bloor Structure IV 2010 Collection Nottingham Castle, construction housing 'Small Boy with Palette and Brushes' by Adam Von Bartisch after H. Fuger, ©the artists courtesy: the artists photo: John Hartley
Hannah James Nottingham Castle Museum & Art Gallery 2009 ©the artist