http://www.michaelajerman.com
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Michael Ajerman was featured in Contemporary Art Society's ARTfutures 2005 and 2004.
A transcript excerpt of Charlie Rose interviewing Spalding Grey, 1992
SG: ....and reshape it. Now the difference is when imagination comes in. Imagination plays against memory. And memory is rather literal. And then, then the hyperbole and the information comes in the more you retell it. So you're always retelling the previous night. You're not telling the first experience. And that's where the creativity comes in because it's really a chain. Like when kids do a circle and you whisper into the ear, to see how the phrase changes. So really, the art form is organic. Because it changes organically but not in a contrived way.
CR: And you're reacting to last night's performance..
SG: Exactly
CR: Always?
SG: Always
CR: Because your discovering something new each night.
SG: So you're really not reacting to the original memory. Whatever that is. You know, if there was one.
Michael Ajerman Citadel 2009
Michael Ajerman An Ascension 2006
Michael Ajerman My Friends 2006
Michael Ajerman Nocturn 2004
Michael Ajerman Portrait of Ivan Rubenstein Gillis 2004
Michael Ajerman English Patient in a Spanish Hospital 2005
Michael Ajerman Keeping Appointments 2006
Michael Ajerman Stepmother (Second Time) 2005
Michael Ajerman Citadel 2009 oil on board, 71 x 60cm, ©the artist
Michael Ajerman An Ascension 2006 oil on linen, 46 x 59cm, ©the artist
Michael Ajerman My Friends 2006 oil on linen, 165 x 142cm, ©the artist
Michael Ajerman Nocturn 2004 oil on linen, 82 x 71cm, ©the artist
Michael Ajerman Portrait of Ivan Rubenstein Gillis 2004 oil on copper panel, 30.5 x 30.5cm, ©the artist
Michael Ajerman English Patient in a Spanish Hospital 2005 oil on linen, 50 x 46cm, ©the artist
Michael Ajerman Keeping Appointments 2006 oil on linen, 59 x 45cm, ©the artist
Michael Ajerman Stepmother (Second Time) 2005 oil on board, 30 x 30cm, ©the artist